“Tenor Edgar Miguel Abréu, who we saw give a fantastic Ambrogio in this season’s opener The Barber of Seville was flawless in the micro-role of Flavio.”
                                                          ~Tuffgnarl

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“The biggest applause is for Edgar Miguel Abréu, who incarnated the King Ouf with an abundant vocal and dramatic talent with which he was able to pull out all the comedic necessities of his role. He won the audience from the start, achieving a long ovation at the end.”
 
                                         ~El Nuevo Herald

“Edgar Miguel Abréu made the most of Lippo Fiorentino’s scenes, singing and dancing with abandon.”

                              ~South Florida Classical